He knows what you are thinking. A theatrical mind reading show for 20 to 300 guests, performed on stage or table to table.
Mentalism is the art of reading minds. Psychology, suggestion and showmanship, combined into something that feels genuinely impossible.
There are no boxes, no cards and no props to hide behind. The material is built entirely from what your guests are already thinking, which is why a mentalism performance holds a room that would drift through a card trick. James reveals star signs, phone PIN codes, the name of a person somebody is thinking of, childhood memories and choices made long before he walked on. Everything is done with consent, with humour, and without embarrassing anyone. It is the oldest branch of magic and the only one that works just as well at a dinner table as it does under a spotlight.
Two formats. Pick the one that fits your running order, or take both for a full evening.
A 20 to 45 minute theatrical performance for audiences of 20 to 300 and over. James takes the stage and guides the whole room through a series of mind reading demonstrations. Guests are called up, thoughts are revealed, and predictions sealed before the show are opened live.
For cocktails, receptions and networking, James performs mentalism table to table. Thoughts are read, personal details divined and choices predicted in front of small clusters of guests. Often paired with the stage show for a full evening.
It lands hardest on audiences who think they have already seen everything.
Every booking is built for your audience and your format.
Mentalism needs real skill and a personality that can hold a room. Here is what separates him.
James is a member of the Magic Circle, the London society founded in 1905 where members are admitted by examination and expelled for exposing methods. He has performed mentalism for eight years across nine countries, for private royal family events, and for over 20 global brands. FTI Consulting have booked him for their top tier corporate events for half a decade. Most performers who call themselves mentalists in Dubai do a handful of memorised routines. James builds the show around your room, and the difference shows in the first two minutes.
MEMBER OFNobody is psychic, and saying so out loud is what makes the rest of it land.
Mentalism is misdirection, psychology, suggestion, memory, showmanship and a great deal of practice. James says this on stage. The honesty is not a weakness in the act, it is the engine of it, because an audience that has been told there is a method and still cannot find one is far more astonished than an audience being asked to believe in something. It also matters commercially. A performer claiming genuine psychic ability is a liability in a corporate room, and a performer who is open about the craft is safe to put in front of your clients.
It travels light, which opens up rooms a large show cannot use.
A mentalism show needs a microphone, a clear area of about three metres by two, and lighting that keeps the audience visible. It needs no stage build, no backdrop and no technical rehearsal, so it drops into a hotel ballroom, a private dining room, a villa, a rooftop or a conference hall without a room turn. James works most often in Dubai and Abu Dhabi and regularly across Qatar, Bahrain, Kuwait and Saudi Arabia. Travel outside the Emirates is quoted with the booking, never added afterwards.
Four ways to fill the same slot, and only one of them survives eleven nationalities in a room.
A band gives you atmosphere but nobody stops talking for it. A comedian needs a shared sense of humour and a shared first language, which is a real gamble in Dubai. A magician with props plays well to the front three tables and turns into a screen for everyone else. Mentalism needs no shared language, because a thought is a thought in any of them, and it needs no sightline to a small object, because the effect happens in somebody's head. That is why it survives an international corporate room when the other three struggle. It is also the only one of the four your guests will try to explain to each other in the car home.
The slot matters as much as the act. Here is where it lands hardest.
The strongest position is after the main course and before dessert, when the room is fed, seated and still sharp. Straight after an awards presentation works well too, because the energy is already up and the show carries it rather than restarting it. Avoid the slot immediately after a long speech, when attention is spent, and avoid putting it against a late bar. For a reception, table to table mentalism is best in the first 45 minutes while people are still finding each other, since it gives strangers something to talk about and does the networking for you.
Arrange a call with James to talk through your date and your room. He will recommend the format that suits it, send the showreels that match, and hold the date while you decide.