One performer covering the whole evening. Stage mentalism as the headline, close-up magic through the cocktails, your brand woven in.
The magic is not one slot in your running order. It covers the three moments where a corporate event usually sags.
Guests arrive and stand about with a drink, so James works the room group to group with close-up magic and the noise level rises within minutes. Dinner is served, the room settles and nothing happens, because the food should get your guests' attention. Between courses, or straight after the awards, he takes the stage for 20 to 45 minutes of mentalism, and this is the part people film. Then the room breaks for coffee and he is back on the floor for anyone who wants to see it up close a second time. One performer, three moments, no dead air, and your AV team sets up once.
A typical Dubai gala, hour by hour, with the entertainment already in it.
Any room where a flat evening would cost you something.
Everything you need to put him in your running order without a second meeting.
A booking nobody has seen is a risk. Here is what removes it.
James is a member of the Magic Circle, the London society founded in 1905 where members are admitted by examination rather than subscription. He has performed for eight years across nine countries, for private royal family events and for over 20 global brands. FTI Consulting have used him for their top tier corporate events for half a decade, across the Middle East and the UK. Their head of marketing and communications for the region has said so on the record. For a procurement team choosing between performers they cannot audition, that record is the closest thing to a guarantee.
MEMBER OFThe strongest moment of the night can carry your message instead of just filling time.
James builds brand work into corporate bookings regularly. A prediction sealed on stage at the start of the evening turns out to be the new product name. A word chosen freely by a guest matches the line on your campaign. A number nobody said out loud is the target your team has been chasing all year. Coca-Cola, Bentley, Amazon, Microsoft, Salesforce and illy have all booked James. The brand work is agreed on the consultation call, because a reveal has to land as magic first or it lands as an advert.
Dubai audiences are not one audience, and most entertainment is built for one.
A comedian needs a shared sense of humour and a shared first language. A band gives you atmosphere but nobody stops talking. Mentalism needs neither, because a thought is a thought in any language and the effect happens inside somebody's head rather than on a small object nobody at the back can see. James performs regularly for rooms of ten or more nationalities, and the material is written to be culturally neutral by design, not softened afterwards. Nothing is religious, nothing is political, and nobody is embarrassed in front of colleagues.
Three things move the number, and none of them is a rate card.
The first is how long James is on. A 30 minute headline slot is a different booking from a full evening with walk-around either side. The second is what the show has to carry. A straight performance is simpler than one built around a product launch, where the reveals are written and rehearsed for you. The third is travel. Dubai and Abu Dhabi are local, and Qatar, Bahrain, Kuwait or Saudi Arabia are quoted with the booking rather than added afterwards, so the number in your budget is the number you pay. Send the date, the venue and rough guest numbers and you will get a figure rather than a range.
Arrange a call to talk through your date, your venue and your running order. James will recommend the format that fits, send the showreels that match your audience, and hold the date while you decide.